Lovers of the current rejuvenation of dance shown on TV shows such as Britain’s Got Talent will know the troupes who appear in this uplifting film. Particularly those who love rap music and dance that originates from the street – hence the title. The added attraction is that it is presented in 3D making the action seem larger than life and makes you feel as if you are in the studio with the performers.
The story is simple enough. A young girl, Carly (Nicola Burley), is left high and dry by her partner, Jay (Ukweli Roach), the dance leader of their troupe, when he decides to quit. Carly has limited time to win the respect and confidence of the rest of the crew who are preparing for the up-coming UK Street Dance Competition.
There is also the problem of finding a rehearsal space as they are shuffled off by the authorities whenever they try and perform in a public place. This problem is solved when Carly is able to negotiate the use of a studio in a ballet school when she is doing her day job, delivering sandwiches. It’s a nice touch as it reminds us that most artists have to perform a double act to exist.
The ballet school is run by Helena (Charlotte Rampling), who has the foresight to see an intensity and passion in Carly. She offers her the space on the condition that Carly works with the ballet students who are all rehearing for their up-coming auditions to enter the Royal Dance School. Carly is confronted with a hostile reaction from the classical dancers who view her version of dance as crass and in turn, Carly finds the classical dancers incredibly aloof and un-cooperative.
The competition date looms and the ‘Diversity’ troupe is up against the ‘Flawless’ troupe who provides stiff competition. Both dance acts appeared in ‘real life’ on British TV. The result is edge of the seat viewing with knockout performances showing a clash of cultures, egos and of course temperaments. The latter perfectly executed by the Dance School’s choreographer, Madame Fleurie (Eleanor Bron).
Streetdance 3D is a predictable piece and doesn’t break any new ground in its story-telling. However, energetic, pulsating and terrific choreography draws audiences into the experience. It succeeds in breaking down barriers that exist between appreciating the classical and modern approach to dance. It is not unlike watching a riveting game of sport - you are barracking for one you hope will win but yet you are never sure who will until the end.
// SALT
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