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When a politician's son is kidnapped, it's up to The Transporter to kick arse and save him from an immoral killer. | score 2 |
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| Cast Jason Statham, Alessandro Gassman, Matthew Modine Director Louis Letterrier Screenwriter Luc Besson, Robert Kamen Country France / USA Rating / Running Time M / 87 minutes Australian Release September 2005 Official Site (c) moviereview
2005
ABN 72 775 390 361 |
The Transporter was called the ‘worst
movie Jean Claude Van Damme never made”. Frank (Jason Statham) was a delivery
boy for hire – no job too dangerous. Although a critical dog, it made such a
name for itself on DVD that writer/producer Luc Besson saw a franchise in the
making. Dumping the hapless Corey Yuen, directorial duty was given over to
fellow countryman Louis Leterrier. It’s a good match since he earned his
stripes in the recent and similarly violent action pic Unleashed. Even suspending
disbelief above and beyond the call of duty, Transporter 2 is still utterly preposterous. Former Olympian
Statham is back as Frank, inexplicably driving a politician’s son to school. Then
Lola, a stiletto wearing, twin-carb. psycho-bitch comes killing. She’s after
the boy for a hit man whose interests lie further up the food chain. Can Frank
make good on his promise to protect him? Sure there are plot holes deep enough
to hide Frank’s bullet-proof ride, sure he’s an a-moral killer who seems to
bounce when thrown off sixty story buildings, sure it makes less sense than
Bond in the 70’s (to which there’s a passing nod) but if you can hold back from
asking too many questions, there’s something quite enjoyable about this gratuitous
John Woo knock-off. As with Unleashed,
Leterrier finds the bullseye early and keeps pace with his noisy, handsome, bone-crunching
production. From the opening scene in a soaking wet (undercover) car-park, it’s
clear this won’t make much sense, but Transporter
2 is not meant to. Nor will the target audience of over-caffeinated male
teenagers care. Just as long as Frank keeps kicking arse better than Van Damme
ever did. // COLIN FRASER |