![]() THE KINGDOM |
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When several bombs explode in a Western compound in Saudi Arabia, the FBI sends a crack-squad of forensic agents to discover the truth. | score 2 |
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| Cast Jamie Foxx, Jennifer Garner, Chris Cooper, Jason Bateman, Ali Suliman Director Peter Berg Screenwriter Matthew Carnahan Country USA Rating / Running Time MA / 110 minutes Australian Release October 2007 Official Site (c) moviereview
2006-2007
ABN 72 775 390 361 |
This
would be geo-political thriller suffers mostly from a reluctance to be either
geographically or politically enervated. Instead, director Peter Berg (part
Paul Greengrass, part Michael Mann, all Michael Bay), opts for the thrill of big
guns and bigger explosions. Why blow something up once when you can do it three
times? Which is roughly what happens on a Western compound in Riyadh when Saudi
militants slay American mums, dads and kids during a picnic. Then they send in
a suicide bomber, and finish it off with an exploding ambulance. It’s scary
stuff and surprisingly more shocking than nearly anything on the evening news,
which takes some doing. Where
Berg, working from a Rambo-esque
script by Matthew Carnahan, could have made worthwhile noise about the war of
culture that is being fought across the Middle East, he gives us a variant on CSI:
Saudi when clever Americans sneak in a crack forensic squad to break
the case. It’s something of a neo-con wet-dream as FBI Agent Fleury and his
hot-shot crew repeat the lessons Foxx learnt in Stealth. They’re not to be foiled by tricky Arab ways, there’s arse
to kick and they plan kicking it hard. Fleury, who lost a good friend in the
bombings, says as much at the start of the action. Unlike
The Bourne Ultimatum which makes no
apologies for its pot-boiling presence, The
Kingdom purports to be an examination of fundamentalism in between the
carnage and sappy moralising. It says as much at the end of the action when a
new generation of killers is born from the bloodbath of Fleury’s vigilantism. It
also reveals that Americans do know the
difference between a good Muslim and a bad one (Berg cuts between Fleury’s
family and that of his Saudi offsider to underline the point – cue strings and
slo-mo). But these vacant nods to the reality of vengeance is far too little,
far too late. If one viewer’s dark mutterings of ‘annihilate the bastards’ was
anything to go by, Berg’s coy message missed its mark entirely. And how could
it be otherwise when rockets are trained on whities and Jennifer Garner has just
stuck a knife in the groin of Arab scum? America – fuck yeah! // COLIN FRASER |