![]() Film review by Colin Fraser A GUIDE TO RECOGNIZING YOUR SAINTS |
![]() |
Some years after leaving home, a writer is returning to see his family. The emotional journey brings back difficult memories of growing up in a rough, New York neighbourhood. | score 3+ |
moviereview rates films from 5 (unmissable) to 1 (unwatchable) |
| FIND A MOVIEREVIEW |
| Cast Robert Downey Jr., Shia LaBeouf, Dianne Wiest, Chaz Palminteri, Rosario Dawson, Channing Tatum Director Dito Montiel Screenwriter Dito Montiel Country USA Rating / Running Time MA / 98 minutes Australian Release November 2006 Official Site (c) moviereview
2006
ABN 72 775 390 361 |
There
is a sense of early Scorcese in the gritty realism that permeates this film.
The hot, sweat-soaked streets of New York are brimming with physical and
emotional tension that recalls Travis Bickle at his most anguished. A Guide To Recognizing Your Saints is a
personal journey about growing up. Dito is a published author who, after a
lengthy absence, is returning to the family home. In flash back, he reflects on
why he left the run-down streets he was born into. Montiel’s jumbled time-line
and discordant editing builds a frenetic and anxious tone that is a rousing
picture of small-town New York. Here is village life in a tight-knit community
where outsiders are viewed with distrust and fear; traits that are their
strength and failing. High tragedy presents itself when Dito’s punky friends and
a vengeful gang are seduced by easy virtue. Saints is a story of two halves that
doesn’t always make a convincing transition between past and future. The threads
come together but fail to make a sensational whole; a minor disappointment in
an otherwise energetic film dominated by sensational performances. A stellar
cast led by Downey Jr., LaBeouf, Chazz Palminteri and Dianne Wiest are
uniformly excellent while the model-buff Channing Tatum brings a brooding and
unexpected intensity to his role. Montiel clearly has something to say and
knows how to say it. Though rough and imperfect, this deeply personal film is
effective and affecting. Assuming he has yet to expel all his angst, it is
delivered by a director from whom we’ll be hearing much more.
|