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Film review by Colin Fraser

SAHARA

sahara
Treasure hunters are looking for an American submarine in the African desert. But they get much more than they bargained for. score

D+
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A (unmissable) to E (unwatchable)
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Cast
Matthew McConaughey, Steve Zahn, Penelope Cruz, William H. Macey


Director
Breck Eisner


Screenwriter
Thomas Dean Donnelly

Country
USA

Rating / Running Time
MA / 127 minutes

Australian Release
April 2005

Official Site




(c) moviereview 2005
ABN 72 775 390 361
Sahara opens with great promise. After a pre-credit sequence that alludes to misadventure during the American Civil War, the action jumps forward two centuries where well-heeled treasure hunters are claiming another victory. And while they’re in Africa, they take an opportunity to follow legend which says an American proto-submarine and its glittering cargo is buried in the nearby desert. There’s a hint that this could, after a very long wait, mark a new Indiana Jones - swashbuckling adventure and gung ho action in exotic locations. But Matthew McConaughey is no Harrison Ford, and director Breck Eisner is no Steven Spielberg. Sahara quickly reveals its rather preposterous hand with the arrival of Dr Eva Rojas (Penelope Cruz) who links a vicious disease with their sub, the nuclear goings-on of a French corporation and a despotic war-lording dictator. However, we’re told that there’s nothing to fear now McConaughey is on the case aided by his jokey sidekick, Steve Zahn. They’re American after all and good will prevail. I’m reminded of Richard Chamberlain’s shabby Allan Quatermain series fused with the worst of Roger Moore’s James Bond. There are some distractions found in the ubiquitous stunt chases and a flustering William H Macey aboard Treasure Hunt HQ, but for the most part, the strained plot from four credited writers takes its toll on Sahara. Worse, their expectation that we should feel safe knowing that cultural raiders will do the right thing thanks to good ol’ American spirit is obnoxious, to say the least. But worst of all, Sahara forfeits its promise to create a clichéd and rather dull experience, which is no way to spend two hours at the movies.

 

// COLIN FRASER