![]() I'M NOT THERE |
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Out in Sydney's west, a young man is juggling an overwhelming mother, a disabled brother, his new girlfriend and the horrors of virginity. | score 3+ |
moviereview rates films from 1 (unwatchable) to 5 (unmissable) |
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| Cast Cate Blanchett, Heath Ledger, Christian Bale, Richard Gere, Ben Whishaw, Marcus Carl Franklin Director Todd Haynes Screenwriter Todd Haynes Oren Moverman Country USA Rating / Running Time MA / 135 minutes Australian Release December 2007 Official Site (c) moviereview
2006-2007
ABN 72 775 390 361 |
Himself
a part-time iconoclast, Todd Haynes has turned his lens on one of the
greatest iconoclasts of the 20th century. In a sweeping, often
bewildering epic, he seeks to present and interpret the music and many
lives of Bob Dylan. Meet the protestor, the dreamer, the preacher, the
entertainer, the addict, the bewildered. Each with a unique voice,
indeed, a unique character, he’s played by six different actors
as Haynes seeks a little truth about the man, his era and his country. In mixing timelines and periods, colour with black and white, men with children and women, I’m Not There becomes a challenging and provocative take on the biopic. Forget the usual histrionics and performance of the genre – this has as much in common with Ray as might Solaris with Star Trek. He applies a cubist approach and invites us to view the subject through a shattered prism. View as it’s difficult to engage with most of the characters populating this film. Nearly all of the Dylan’s are remote, churlish echoes of people who hide around the edges, ghostly inhabitants of the story despite occupying the middle frame. Connecting with Haynes beyond the intellectual is always testing, and the maverick director does little to make this any easier. As one of the Dylans points out, it’s like having yesterday, today and tomorrow all in one room. While lacking a narrative spine, there is an urgency about the interconnected nature of these vignettes that forces engagement. Much of it is derived from some outstanding performances, Cate Blanchett foremost among them. Hers is an utterly mesmerising turn that bewitches the camera. Bruce Greenwood as an arts critic who assaults her integrity is calmly impressive. Although a misguided leap into the west all but derails the film, and where would Haynes be without such leaps, I’m Not There will keep the fan-base dissecting long into the night. // COLIN FRASER |