Heck and Rachel are newlyweds with the world at their feet. Problem is Luce, their florist, to whom Rachel has taken a shine. | score 1+ |
moviereview rates films from A (unmissable) to E (unwatchable) |
|
FIND A MOVIEREVIEW |
Cast Lena Headey, Piper Perabo, Matthew Goode, Celia Imrie Director Ol Parker Screenwriter Ol Parker Country UK Rating / Running Time M / 94 minutes Australian Release February 2006 Official Site (c) moviereview
2006
ABN 72 775 390 361 |
By
design, romantic comedy is light and fluffy. Sure the narrative arc may be
bumpy and there’ll be inevitable teary scenes before equally inevitable
resolutions. We don’t want our romance ruined by reality – where’s the fun in
that? Mess with the formula and you’re in trouble. So it’s not the lesbian
twist that turns Imagine Me and You into
a Sunday roast of cinematic cuisine. It’s the weary lack of humour. After all,
romantic comedy has to be funny. As
with most British romcoms, it starts with a wedding. Channelling Hugh Grant, Matthew
Goode’s Heck is getting married to Rachel (Piper Perabo). Then she spots Luce
the florist (Lena Headey), her heart goes bang and it’s all up hill and down
dale from there. “Do you believe in love at first sight?” she asks. Well of
course. There wouldn’t be a story without it. The fanciable Goode (Match Point) is an attractive visual
balance to the equally fanciable Headey and Perabo. Sadly
for him, his boy-bits are no competition for a feminine florist; accordingly
the cuckolded husband bows out with good grace and manners. His mum has brought
him up well, a feature that overwhelms director Ol Parker’s efforts. Everyone is
just so damn nice (except Rachel’s mum – Celia Imrie – who steals every scene
she’s in). While he extracts an agreeable sense of the softly amusing, Imagine Me and You is desperately short
on humour. Which simply leaves romance and this tale of burgeoning lesbianism
is no Gone with the Wind. It’s no Personal Best for that matter. Love at
first sight may have its fans, but few of them will be found in the cinema. // COLIN FRASER |