A professional conflict between two police officers becomes personal as they chase a gang that could change their fortunes. | score 4 |
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Cast Daniel Auteuil, Gérard Depardieu, André Dussollier Director Olivier Marchal Screenwriter Dominique Loiseau Country France Rating / Running Time MA / 110 minutes Australian Release November 2005 Official Site (c) moviereview
2005
ABN 72 775 390 361 |
From
the very start, 36 Quai des Orfevres is
a thrilling example of the French cinematic legacy, of crime thrillers. The
story begins with two scenes: a group of celebrating police is cut with a gang
that physically violates the owner of a bar. Director Olivier Marchal
establishes the thin line between good and bad, the moral ambiguity by which
his story evolves. The trigger-happy vandalism of the former blurs delineation
between the thuggery of the latter. Soon
after, a professional and increasingly personal competition develops between
two seasoned officers - Denis Klein (Gérard Depardieu) and Léo Vrinks (Daniel
Auteuil) – who are on the heels of the
same criminals. The means they employ to catch them and secure a promotion
becomes increasingly acrimonious, reckless and unethical. Marchal
had a previous career in law enforcement and brings a bold sense of reality to
a story about the lengths some people will go to get a result. He’s also a
seasoned film nut who draws on a lineage of stylized and highly effective crime
thrillers, with mixed results. Auteuil and, to a lesser extent, Depardieu
anchor the film with bold and impeccable performances that are, as you might
expect, as accomplished as they are highly entertaining. Thrilling stunt work
and the vibrant cinematography of Denis Rouden (veteran of seven Emmanuelle films) lends the piece a crisp
edge. It’s
the ongoing lack of surprise and inevitable face off between Klein and Vrinks
that feels convenient and overly contrived. There’s little wonder where these
characters will end up which is unfortunate, but in no way dispiriting. Incidentally,
this is the first time Depardieu and Auteuil have worked together since Jean de Florette (1986). // COLIN FRASER |